'alternative china' links to articles in english about the new music scenes springing up all over china. composed by australasian diy music specialist shaun/tenzenmen (http://www.tenzenmen.com)
Catching Elephant is a theme by Andy Taylor
This review has been a long time coming, but I have a feeling that, in addition to the general excuse of “being busy”, I haven’t wanted to write this review for one simple reason: it’s one of the last memories many people are going to have of D-22. I made a few more in January, but this was the last big show that many people went to. There were famously lines streaming out of the door, people getting turned away by 10:30, and there were so many people in there it became hard to drink my beer. It was, however, an amazing night.
I have had the privilege of seeing Hedgehog in small venues — rather than festivals — recently, and have been reminded at what a great energy these guys have on stage. This isn’t their first time in the USA, but it’s some pretty good exposure. Two-time festival headliners Xiu Xiu will be taking Hedgehog on a cross-country tour of the USA, so if you’re there — or have friends who are into awesome music there — let them know! I’m sure Hedgehog will rock the stages out there. Good luck, guys!
This gig was originally billed as Hot & Cold’s final show in Beijing, with some great special guests from the world of experimental electronic music: Fat City, Soviet Pop, Zhang Shouwang, and The B-Side Lovers. What it turned into was something entirely different. It was, of course, still Hot & Cold’s final show in Beijing, and all of the people who promised to be there were (though I missed Fat City). I saw Soviet Pop first and settled in to believe that everyone in the place was there to catch the expat group’s final show, as they’ve been in the city for a long time and have undoubtedly amassed enough people to convince to come to a show. However, it slowly dawned on me, as I looked around at all the other people who didn’t seem completely enraptured or even very interested in Soviet Pop’s set, that the little secret I knew wasn’t really a secret at all.
I went to D22 on a random Wednesday evening thinking that I was there for Mr. Graceless. I’ve seen them before, thought they were alright (the first time I saw them, I commented on their cardigans…), so I thought I was going to have an average night out drinking with my friends. One of whom has been raving about Residence A for a while. And it’s not that I don’t trust this friend’s point of view, but we don’t always see eye to eye, so I was a little skeptical, but hopeful, that I would like them. Luckily, they were absolutely amazing. But I’m getting ahead of myself.
Zoomin’ Night is D-22’s weekly experimental night, and while I would never call experimental my favorite genre ever, I can appreciate it and I love that D-22 does this — now, for free — every Tuesday.
This was probably my third time ever at Old What? Bar, and my previous experiences were in winter. The revelation I had this time around was similar to what I would imagine one would experience if they had only ever visited Dos Kolegas in the winter. This tiny, dingy — though cosy — venue is dormant in winter, but absolutely blossoms into a place full of good friends, great music, and people drinking in the streets. There might not be a lawn or a trampoline castle, but there’s hutong stools and convenience stores that have no choice but to stay open through the noise. So if you have never been to Old What? Bar, go now.